49. William Carlos Williams - A Matisse
From: Contact II, 1921
On the French grass, in that room on Fifth Ave., lay that woman who had never seen my own poor land. The dust and noise of Paris had fallen from her with the dress and underwear and shoes and stockings which she had just put aside to lie bathing in the sun. So too she lay in the sunlight of the man’s easy attention. His eye and the sun had made day over her. She gave herself to them both for there was nothing to be told. Nothing is to be told to the sun at noonday. A violet clump before her belly mentioned that it was spring. A locomotive could be heard whistling beyond the hill. There was nothing to be told. Her body was neither classic nor whatever it might be supposed. There she lay and her curving torso and thighs were close upon the grass and violets.
So he painted her. The sun had entered his head in the color of sprays of flaming palm leaves. They had been walking for an hour or so after leaving the train. They were hot. She had chosen the place to rest and he had painted her resting, with interest in the place she had chosen.
It had been a lovely day in the air. ---What pleasant women are these girls of ours! When they have worn clothes and take them off it is with an effect of having performed a small duty. They return to the sun with a gesture of accomplishment. ---Here she lay in this spot today not like Diana or Aphrodite but with better proof than they of regard for the place she was in. She rested and he painted her.
It was the first of summer. Bare as was his mind of interest in anything save the fullness of his knowledge, into which her simple body entered as into the eye of the sun himself, so he painted her. So she came to America.
No man in my country has seen a woman naked and painted her as if he knew anything except that she was naked. No woman in my country is naked except at night.
In the french sun, on the french grass in a room on Fifth Ave., a french girl lies and smiles at the sun without seeing us.